Clifton Collins Jr.-Starrer ‘Jockey’ Rides Off With Viewers Award at AFI Fest

AFI Fest has proper wrapped up a five-day bustle in Los Angeles but now now not sooner than revealing the checklist of pageant honorees.

Director Clint Bentley’s Jockey, a movie starring Clifton Collins Jr. as an getting older competitor hoping to desire one closing championship horse rush, picked up the viewers award for handiest yarn feature, whereas the viewers prize on the documentary aspect went to Tommy Oliver’s scrutinize at the lifestyles and loss of life of hip hop superstar Juice WRLD within the movie of the identical name. Johnson Cheng’s Most bright the Moon Stands Quiet, a discover about at three generations of Chinese ladies as they roar goodbye to a family ballroom dance studio, gained the viewers prize within the quick movie class.

Grand Jury Award winners for dwell-action and intriguing quick will be eligible for Academy Awards with honors in these categories going to director Suzannah Mirghani’s Al-Sit and Diana Cam Van Nguyen’s Worship, Dad, respectively. The jury used to be comprised of movie curator and writer Kiva Reardon, Argo’s head of programming and acquisitions Amanda Salazar, and writer-director Angel Kristi Williams.

The jury praised Al-Sit “for going past its central story to produce a densely layered and in actual fact cinematic expertise.” For Worship, Dad, they singled it out “for its melding of plan and pronounce material that makes for a deeply inclined and non-public viewing expertise.”

The jury also doled out a string of particular mentions, honoring Juliana Kasumu’s Babybangz for it’s “aggregate of ravishing imagery, crucial conversations and compelling matters,” Mitch Kalisa’s Play it Protected for “courageous formal choices made for the length of the movie,” and Rikud Hassidi’s Her Dance “for a commanding efficiency that anchors the movie” thanks to Leeoz Levy.

“Bringing filmmakers and movie fans collectively to contain an excellent time the shifting image is at the coronary heart of AFI Fest,” acknowledged director of programming Sarah Harris. “The joys of all festivalgoers to be collectively within the theaters, all over once more, used to be electrical. This year’s pageant has in actual fact shown everyone the vitality of the artwork plan to contain our spirits when it’s wanted the most.”

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